NEXT YEAR IN HAVANA
by Chanel Cleeton
February 6, 2018
Women’s Fiction/Historical Fiction
After the death of her beloved grandmother, a Cuban-American woman travels to Havana, where she discovers the roots of her identity–and unearths a family secret hidden since the revolution…
Havana, 1958. The daughter of a sugar baron, nineteen-year-old Elisa Perez is part of Cuba’s high society, where she is largely sheltered from the country’s growing political unrest–until she embarks on a clandestine affair with a passionate revolutionary…
Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee with her family during the revolution. Elisa’s last wish was for Marisol to scatter her ashes in the country of her birth.
Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba’s tropical, timeless beauty and its perilous political climate. When more family history comes to light and Marisol finds herself attracted to a man with secrets of his own, she’ll need the lessons of her grandmother’s past to help her understand the true meaning of courage.
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Add Beatriz Perez’s story
WHEN WE LEFT CUBA
Praise for Next Year in Havana
Chanel Cleeton’s Next Year In Havana is a flat-out stunner of a book, at once a dual-timeline mystery, a passionate romance, and paean to the tragedy and beauty of war-torn Cuba. The story of sugar heiress Elisa, watching Cuba fall into revolution as Castro rises, is intertwined with the modern-day tale of Elisa’s granddaughter Marisol as she returns to Cuba after Castro’s death. Both women fall for fire-brand revolutionaries, but Cuba itself emerges as their true love-interest, threatening to break both women’s hearts as Elisa and Marisol each grapple in their own way with what it is to be Cuban, what it is to be an exile, and how to love and live in a homeland riven by revolution. Simply wonderful!
– Kate Quinn, New York Times bestselling author of The Alice Network
Cleeton has penned an atmospheric, politically insightful, and highly hopeful homage to a lost world. Devour NEXT YEAR IN HAVANA and you, too, will smell the perfumed groves, taste the ropa vieja, and feel the sun on your face. Just a wonderful and educational book!
– Stephanie Dray, New York Times bestselling author of America’s First Daughter
A vivid, transporting novel. Next Year in Havana is about journeys– into exile, into history, and into questions of home and identity. It’s an engrossing read.
– David Ebershoff, author of The Danish Girl and The 19th Wife
An evocative, passionate story of family loyalty and forbidden love that moves seamlessly between the past and present of Cuba’s turbulent history— how one young woman’s sacrifice becomes the key to her granddaughter’s future—how culture and spirit survive against all odds. Next Year in Havana kept me enthralled and savoring every word.
– Shelley Noble, New York Times bestselling author of Whisper Beach
In Next Year in Havana, Chanel Cleeton’s prose is as beautiful as Cuba itself, and the story she weaves–of exile and loss, memory and myth, forbidden love and enduring friendship–is at once sweeping and beautifully intimate. This is a moving, heartfelt, and gorgeously realized story that will stay with you long after you turn the final page.
– Jennifer Robson, USA Today bestselling author of Somewhere in France
Originally from Florida, Chanel Cleeton grew up on stories of her family’s exodus from Cuba following the events of the Cuban Revolution. Her passion for politics and history continued during her years spent studying in England where she earned a bachelor’s degree in International Relations from Richmond, The American International University in London and a master’s degree in Global Politics from the London School of Economics & Political Science. Chanel also received her Juris Doctor from the University of South Carolina School of Law. She loves to travel and has lived in the Caribbean, Europe, and Asia.
My heart is full. Full with love for the characters of this book. With shame about my ignorance of the danger and problems Cuban people still face on a daily basis. Admiration for their bravery and pride. Affection for their good hearts. Sadness for their heartbreak. I struggle to get a grip on my emotions as I sit here and write my review.
How long will we be gone? When will we return? Which version of Cuba will greet us when we do?
Marisol’s exiled grandmother’s last wish was for her remains to return to the home of her heart, Cuba, one of the priceless gems in the Caribbean Sea. Marisol only knows her country from stories her grandmother Elisa told her, who raised her and who she was closest to. Arriving in Cuba she traces back Elisa’s life. At her side is Elisa’s best friend Ana’s grandson Luis. Together they uncover secrets only a few people apart from Elisa knew about.
Two timelines follow alternating Elisa and Pablo as well as Marisol and Luis. There are parallels between Elisa’s love for Pablo and Marisol’s for Luis. Both of them love highly educated men, who have a deep love for their country. Patriotism isn’t just a word for them, they live it, breathe it…die for it. And both of these men possess a quiet strength, an earnestness and intensity that draws both Elisa and Marisol in.
It isn’t surprising that Marisol and Elisa fall in love with men who have so similar character traits. Marisol and Elisa share the same kindness, brave heart, curiosity and love for their country. When Elisa’s secret start to surface it throws Marisol a little bit for a loop. Doubts about her knowledge of the woman who raised her arise, make her question if she knew her grandmother at all. Slowly she also realizes how romanticized her image of Cuba is.
I am Cuban, and yet, I am not. I don’t know where I fit here, in the land of my grandparents, attempting to recreate a Cuba that no longer exists in reality.
Luis and Marisol’s instant attraction becomes complicated fast, their connection turns quickly into deep feelings. But how can they be together when neither of them fits into the world of the other? This stalemate situation makes you understand, however, that as divergent Luis and Marisol are, they also have a lot in common. It’s exactly the same situation Marisol’s grandmother and Pablo found themselves in, when they fell in love.
“In this moment, I want you. But after that—”
“Then maybe we just have this moment.”
“Is that enough?”
He smiles, a tinge of sadness on his face. “I have a feeling there will never be enough moments with you, Marisol.”
As we follow Marisol and Elisa we learn about the Cuba pre-revolution and the Cuba of today. Chanel Cleeton draws the country in brilliant and rich colors and makes you want to get on a plane and visit, to see it with your own eyes. I adored all the main characters and Luis’ grandmother Ana. There is a warmth, a gentleness to all of them despite the harshness they experience.
Cuba is the fifth star in this story and she is as beautiful as she is terrifying. The author weaves her immense and profound knowledge of the country into the story and fascinates us with historical details. I suspect she also poured a lot of herself into Marisol and Elisa.
There is no home for us in a world where we can’t speak our minds for fear of being thrown in prison, where daring to dream is a criminal act, where you aren’t limited by your own ability and ambition, but instead by the whims of those who keep a tight rein on power.
This story is powerful and extraordinary. It’s a history class with a handsome professor who has the ability to captivate and enchant you with spellbinding, informative and lovely narration about the people, politics and history of a beautiful country. Yes, there is a lot of historical details in the beginning and while this makes for a slower reading in the first 30 to 40% it is absolutely essential to understand the bigger picture. I loved learning about the Cuban revolution from somebody with such intimate knowledge about it.
We carry our home with us in our hearts, laden with hope. So much hope.